马拉梅

马拉梅的个人简介

（１８４２―１８９８）法国象征派诗人.生于巴黎.早期诗作深受波德莱尔影响.１８６６年在《当代帕尔纳斯》上发表《窗子》、《蔚蓝的天》、《海风》等著名诗作.１８７１年发表诗剧《埃罗提亚德》的片断.诗剧《牧神的午后》（１８７６）...

概述

（１８４２―１８９８）法国象征派诗人.生于巴黎.早期诗作深受波德莱尔影响.１８６６年在《当代帕尔纳斯》上发表《窗子》、《蔚蓝的天》、《海风》等著名诗作.１８７１年发表诗剧《埃罗提亚德》的片断.诗剧《牧神的午后》（１８７６）写牧神在夏天的一个下午睡醒后回想刚刚看见的那些不知是梦是真的美丽女神.他认为诗人的使命在于感知并揭示现实世界背后的“绝对世界”，创造真实花卉中所没有的理想之花.他作诗追求雕塑美、音乐美，遣词造句新奇别致.作品集有《诗与散文》和《徜徉集》。最后发表的诗《骰子一掷绝不会破坏偶然性》是构思一生而终未写出的“唯一的作品”的片断，晦涩难懂. (1842-1898) French Symbolist poet. Was born in Paris. Early poems deeply affected .1866 Baudelaire in "Contemporary Parnas," published in "windows", "blue sky", "Sea Breeze", etc. published the famous epic poems .1871 "Ai Luoti Asia and Germany," the piece. epic, "Afternoon in the summer, after the recall had just seen a dream which I do not know is really beautiful goddess. In his view the poet’s mission is to perceive and to reveal the real world behind the "absolute world", the creation of real flowers that are not the ideal flower. He wrote a poem to the United States to pursue sculpture, music and the United States, words and sentences novel and unique. Portfolio as " Poetry and Prose "and" wander collection. " The last published poem "threw dice would never undermine the chance" is the idea of life and the end is not written "only works" pieces, obscure.